Tuesday, November 30, 2010
Poziv na javnu raspravu » Pescanik Blog
Poziv na javnu raspravu » Pescanik Blog: "- Sent using Google Toolbar"
Odgovor nečastivog » Pescanik Blog
Odgovor nečastivog » Pescanik Blog: "- Sent using Google Toolbar"
Ceca očekuje maksimalnu kaznu | zokster
Ceca očekuje maksimalnu kaznu | zokster: "- Sent using Google Toolbar"
Sunday, November 28, 2010
e-novine.com - Platićemo žrtvi Bogdanovićevih kerova
e-novine.com - Platićemo žrtvi Bogdanovićevih kerova: "Sudski rasvetljen dan nakon devetomartovskih demonstracija
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e-novine.com - Koštuničina lekcija o Đinđiću kao kriminalcu
e-novine.com - Koštuničina lekcija o Đinđiću kao kriminalcu: "Osobno sam svjedok: Srđa Popović ne griješi. Ni najmanje.
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Friday, November 26, 2010
Friday, November 19, 2010
e-novine.com - Poseremo vam se na platane!
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Thursday, November 18, 2010
e-novine.com - Čudovišta iz ćorave kutije
e-novine.com - Čudovišta iz ćorave kutije: "- Sent using Google Toolbar"
Tuesday, November 16, 2010
e-novine.com
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Kad jedno avangardno pozorište "Atelje 212" dobija mermernu fasadu, Šperovog "Sveta u kamenu" i estetiku čobanove zabiti, plus balvani ala Milić od Mačve sve sa čardakom, bilo je jasno da menja i namenu. Atelje 212 je najupećatljiviji primer kako su, početkom devedesetih, zabavljači boraca za "našu stvar" iskoristili priliku da unovče svoj mediokritetski talent. Razni "Umetnici" su projektovali, svirali pevali, pisali, slikali, igrali, bez ideje za ne pristajanjem na civilizacijski sunovrat svog društva. Bilo je tu i muzike, i filma, i pozorišta, ceo jedan umetnički pokret okupljen oko ideje večnog varvarizma.
Naš Bulevar nije jedini slučaj u istoriji arhitekture, i Benito Mussolini je poznat po sličnim arhitektonskom poduhvatu u Rimu. Srušio je staro jezgro grada staro dve hiljade godina da bi napravio bulevar Via della concilazione, prilaz crkvi San Pietro i po Vučurevićevom i Djilasovom receptu napravio još stariji Rim.
Kad jedno avangardno pozorište "Atelje 212" dobija mermernu fasadu, Šperovog "Sveta u kamenu" i estetiku čobanove zabiti, plus balvani ala Milić od Mačve sve sa čardakom, bilo je jasno da menja i namenu. Atelje 212 je najupećatljiviji primer kako su, početkom devedesetih, zabavljači boraca za "našu stvar" iskoristili priliku da unovče svoj mediokritetski talent. Razni "Umetnici" su projektovali, svirali pevali, pisali, slikali, igrali, bez ideje za ne pristajanjem na civilizacijski sunovrat svog društva. Bilo je tu i muzike, i filma, i pozorišta, ceo jedan umetnički pokret okupljen oko ideje večnog varvarizma.
Naš Bulevar nije jedini slučaj u istoriji arhitekture, i Benito Mussolini je poznat po sličnim arhitektonskom poduhvatu u Rimu. Srušio je staro jezgro grada staro dve hiljade godina da bi napravio bulevar Via della concilazione, prilaz crkvi San Pietro i po Vučurevićevom i Djilasovom receptu napravio još stariji Rim.
Mussolini and Rome
Prime Minister Benito Mussolini, who had signed the accord on behalf of the King, resurrected the idea of a grand thoroughfare symbolically connecting the Vatican to the heart of the Italian capital. To fulfil this vision, Mussolini turned to the prominent Fascist architects Marcello Piacentini and Attilio Spaccarelli. Drawing inspiration from a number of the designs submitted by Carlo Fontana, Piacentini came up with a plan that would preserve the best aspects of both the "open" and "closed" designs – a grand boulevard that would nonetheless obscure the majority of the Vatican buildings per Bernini's intentions. The vast colonnaded street would require the clearance of the whole "spina" of Borgo placed in between the Basilica and the Castle. Since the facades of the buildings lining this space did not align perfectly, in order to create the illusion of a perfectly straight causeway traffic islands would be erected along both sides, with rows of obelisks leading towards the Square, doubling as lampposts. These were also intended to reduce the effect that the funnel-shaped design would have on perspective when facing the Basilica. The wings of those buildings closest to the square would be preserved to form a propylaea, blocking the greater portion of the Vatican City from approaching visitors and framing the Square and Basilica at the head of a grand open space that would allow for easy vehicular access.
Prime Minister Benito Mussolini, who had signed the accord on behalf of the King, resurrected the idea of a grand thoroughfare symbolically connecting the Vatican to the heart of the Italian capital. To fulfil this vision, Mussolini turned to the prominent Fascist architects Marcello Piacentini and Attilio Spaccarelli. Drawing inspiration from a number of the designs submitted by Carlo Fontana, Piacentini came up with a plan that would preserve the best aspects of both the "open" and "closed" designs – a grand boulevard that would nonetheless obscure the majority of the Vatican buildings per Bernini's intentions. The vast colonnaded street would require the clearance of the whole "spina" of Borgo placed in between the Basilica and the Castle. Since the facades of the buildings lining this space did not align perfectly, in order to create the illusion of a perfectly straight causeway traffic islands would be erected along both sides, with rows of obelisks leading towards the Square, doubling as lampposts. These were also intended to reduce the effect that the funnel-shaped design would have on perspective when facing the Basilica. The wings of those buildings closest to the square would be preserved to form a propylaea, blocking the greater portion of the Vatican City from approaching visitors and framing the Square and Basilica at the head of a grand open space that would allow for easy vehicular access.
Monday, November 15, 2010
e-novine.com - Čovek koji je obnovio Atelje 212
e-novine.com - Čovek koji je obnovio Atelje 212: "- Sent using Google Toolbar"
Friday, November 12, 2010
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Monday, November 8, 2010
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Tuesday, November 2, 2010
Monday, November 1, 2010
e-novine.com - Slom zdravog razuma
e-novine.com - Slom zdravog razuma: "- Sent using Google Toolbar"
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Za Milana Babića nije preostao čak ni komadić zemaljske kugle na kojoj bi živio.
Kninjanin Jovo Opačić, čini se, prvi je shvatio što je strefilo hrvatske Srbe. Još 1998. vratio se iz Beograda u rodno Plavno, izjavivši: “Mi, Srbi, silno smo pogriješili.” Nakon što je koji mjesec kasnije postao žrtva dvojice napadača, nesumnjivo Hrvata osvetnika, razočarano je kazao: “Neka, ja više ne kanim bježati.” Jovo Rašković umro je već početkom rata. Bio je dovoljno obrazovan da među prvima shvati kako Miloševiću nije do Srba, već do srpskog imperija. Dušan Zelembaba utonuo je u anonimnost. Značajni broj hrvatskih Srba nestao je na beogradskim periferijama. Veliki uzorak kolonizirao je Australiju i Novi Zelenad. Ostali su u Vladi u izbeglištvu tzv. Republike Srpske Krajine, sa zemunskom adresom.